art by Cher Jiang

Yale Station: Letters of Love

Feb. 19, 1947 Pm Dear Emily: Had the urge to say "my Emily" -- for that seems the more natural: But since custom (?) prevents it, I must, for the time say, Dear Emily, This morning I was about a half hour late to Dr. Rich's lecture on intermodulation frequencies -- intentionally. I usually get up at 6:30, have breakfast, read the morning paper and listen to the news. At about 7:45, I start for the lab and arrive at 8:10. But this morning, so great was the desire to hear from you that I said to myself -- "There must be a letter in the box uptown." So I stole a half hour of the Dr's valuable time and raced up. Sure enough, there was a letter from you -- and opening of it then and there, the cold of this winter day was shoved back with the depth, simplicity (genuineness) and warmth of your talking to me. I promise you that, from now on, you will never be disappointed when you reach into the letter box. All this while I have wanted to write you every day -- have always had the urge to put down my work and write you, even before I knew you (does that sound like idiotic raving?) -- but I have only held back so far because I know only too well how easily a new thing -- no matter how excellent and good -- becomes an excess. I should have known better in your (our) case. Yes, I must (and am perfectly unwilling to) admit that you seem very close to me, and so magnificent is it that I doubt that I shall ever come any closer to happiness than this. I can tell from your letters that there is much you'd like me to know, as you said. And I want to hear every word of it, but only whenever it comes freely to your mind. Don't push it -- that's too much like work -- but wait for the moments when they become so clear and "tellable", that they fly almost masked into your letters. I will be waiting for them when they come -- until then, I know they are there and that you will enjoy telling them to me. Yes, I suppose I should sleep more -- you and Dr. Thorne would agree on that -- but one gets absorbed - one follows the day in his mind, squeezing the last drop out of everything -- one thought leads to another -- old ones come back and new ones come until today takes a definite place -- in a unique link between yesterday and tomorrow. Every moment in those wee hours, one sees himself more clearly -- finds that spot on the road to which he has gotten himself. Or one struggles with a new problem -- and, after hours, realizes that the new is only combinations of the old and that a knowledge of the old, correctly applied, can solve it for you. You approach a solution, and although you must keep your mind calm -- keep your thoughts marching straight to the point, one building solidly on the other, excitement shoots you through and through while the hours as minutes, race away. And not just my formal work here -- but my other "work" -- my other thinking which is fully as important to me -- and to anyone affected by me -- as that more formal work. During the day, I talk and work with people -- seeing and hearing what they'd like to be -- seeing their "outside": at night, at these hours, I bring them before me, one by one and examine the "inside" of them. I must know these people, for the life I live is affected by them -- if I hope to control my life (to a reasonable extent) I must also know how to control them -- by knowing what they want -- what they can do -- and therefore, what they will do -- and how well or badly. You would be amazed to know how many of these people you crowd out of my mind. But that is your place -- since you need to be there -- and I need you there. I look at you constantly and examine every detail I know about you, trying to find the flaw in this wonderful, but almost too perfect situation. After turning over everything for the hundredth time I say, "incredible, Bostick! Your very mirror if you'll be frank about it". Perhaps that's self flattery -- it certainly would be if I weren't convinced that it's very true. I know from common sense that no two things alike are ever made but haven't I already said that things are what we interpret them to mean -- and not absolute in themselves? I can see no absolutely no essential difference: the small difference is that you're a woman (how very fortunate and pleasant for me) and I'm a man. I may be allowed to be aggressive while you are receptive -- but both dealing in the same things -- same values -- same meanings: and when the "man-woman" aspect is considered -- we are equivalent. Your ideas -- the same as mine -- are touched with femininity: by perhaps a broader experience -- due to my being a man, and having lived my life instead of yours, I have been forced to accept some working answer to the questions which are constantly on your lips -- and whereas they are not perfect answers, still I have accepted them -- for the present until their severed small parts came along to replace the improvisation - as suited to your life, as mine are to mine -- still we have a host of the unanswerables -- and they are much alike. Go ahead and cry -- you may -- and call me a fool -- there must be some deep satisfaction in crying. We men lost a potent lifespan and tons when we forgot how to cry. We have attached a weakness to the expression of sorrow, which is a pure emotion. Why do we not then attach a weakness to the expression of merriment -- which is also a pure emotion? One of the many artificial things which make us men -- and your sex -- women. Now I must close and go about less pleasant tasks. love George P. S. For Emily my latest master piece Fall down bridges, across the moat -- No longer bridging a flood -- Save a dry one -- indefensible Over your dark and stagnant world. The sun streams And what lurked -- was feared -- has never been, No longer seems Fall down, her legions having sun! Can you withstand triumph? Regain? Loss somehow never loss? Fall back! Wall that has remained Where long the emissary begged to cross. Heart trumpet, peal her in! Fear is night and day has come. Bell, silent these years, begin! Toll the invader home? -- GB

letters through April 17, 1947

  1. from another correspondent, January 6, 1947 (typed)
  2. from George to Emily, February 19, 1947 (handwritten) (current letter)
  3. from George to Emily, February 21, 1947 (typed)
  4. from George to Emily, February 22, 1947 (typed)
  5. from George to Emily, February 23, 1947 (typed)
  6. from George to Emily, March 14, 1947 (typed)
  7. from Emily to George, March 23, 1947 (typed)
  8. from Emily to George, March 24, 1947 (typed)
  9. from Emily to George, March 29, 1947 (typed)
  10. from George to Emily, April 5, 1947 (typed)
  11. from George to Emily, April 6, 1947 (typed)
  12. from George to Emily, April 7, 1947 (typed)
  13. from George to Emily, April 7, 1947 (typed)
  14. from George to Emily, April 7, 1947 (handwritten)
  15. from Emily to George, April 9, 1947 (handwritten)
  16. from George to Emily, April 10, 1947 (typed)
  17. from Emily to George, April 15, 1947 (handwritten)

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