art by Cher Jiang Yale Station: Letters of Love |
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April 8, 1947 pm
My Small One,
Sinbad (George) Senn (my friend who left) came back from his
trips In the Merchant Marine last night -- and we have been
"shooting the breeze" ever since. This afternoon, I took a
couple of hours off and we went to see a show. The only one
which appeared half way decent was "Boomerang" but of course
it had its necessary evil double feature; we didn't wait to
see it.
Boomerang was a definite run of the mill picture. I have seen
1t many times before under different titles. But somehow I
enjoyed it. There was something majestic about it -- perhaps in
its presentation. At any rete it left me with something good
to think about. One usually forgets about the usual picture
as soon as 1t 1s over.
Things seem very clear and much more orderly now that I've had
a rest. I'm trying to be in bed by 12.30 each night -- on the
advice of a very special little person. George saw your plciures
and I'm afraid now for you to come down -- since I might lose you
to this six fool, sun tanned, smooth-cheeked, hunk of male. He
didn't say anything -- just had that primitive look in his eye.
He's come back to attend the University's Progressive School of
Photography until the summer. Then he's going to try to cone
back in the fa11. He's an electrical engineer -- good sensible
fellow {for picking the best career).
You wouldn't love me if you could see me now. Unanswered letters
strewn over the desk. Unshaven. Books plled on books. Several
papers 1n progress. And I've been writing a little. One wouldn't
know, looking at me, that I'm the happiest man (and the luckiest)
in New Haven, Connecticut. : :
I work very hard, trying to forget that life for me now, is nothing
but unbearable waiting for Sundays. Bearable only because I know
the value -- the very grest value -- of whet I'm waiting for.
I love you, Small one,
your, George
I saw a man go by -- just an ordinary man; But even in his inoffensive glance Was all the substance which is life to me: He breathed. I breathe. His muscles quiver in the cold, free air, And so do mine. I do not know him and yet I have never known anyone else. I face him on a quiet corner some day, Waiting for lights; his passive message Unconsciously resisting those thing between us That tie our roots in yesterdays together... |